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Here are all the paintings of Jan Van Kessel 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 76531 |
 |
A still life with tulips |
17th century
Medium Oil on canvas
Dimensions 82,6 x 63,6 cm
cyf |
| 22400 |
 |
Africa (mk14) |
1664-66
Oil on copper,centre panel,48.5 x 67.5 cm
16 plates,14.5 x 21 cm each Alte Pinakothek,Munich |
| 22402 |
 |
America (mk14) |
1666
Oil on copper,centre panel,48.5 x 67.5 cm
16 plates,14.5 x 21 cm each Alte Pinakothek,Munich |
| 22401 |
 |
Asia (mk14) |
1664-66
Oil on copper,centre panel,48.5 x 67.5 cm
16 plates,14.5 x 21 cm each Alte Pinakothek,Munich |
| 92718 |
 |
Chien et chat devant un homard |
Date before 1708(1708)
Medium oil on copper
Dimensions 23.5 X 31 cm (9.3 X 12.2 in)
TTD |
| 97620 |
 |
Concert van Vogels |
between 1660(1660) and 1670(1670)
Medium oil on copper
Dimensions 13 x 18 cm (5.1 x 7.1 in)
cyf |
| 72148 |
 |
Die vier Erdteile |
1664-66
Oil on copper plate
175 x 123 cm
cjr |
| 67719 |
 |
Die vier Erdteile Afrika Mittelbild |
Technique Oil on copper plate
Dimensions 175 x 123 cm
|
| 22398 |
 |
Europe (centre panel) (mk14) |
1664-66
Oil on copper,48.5 x 67.5 cm
Alte Pinakothek,Munich |
| 22399 |
 |
Europe (mk14) |
164-66
Oil on copper,centre panel,48.5 x 67.5 cm
16 plates,14.5 x 21 cm each Alte Pina kothek,Munich |
| 83772 |
 |
Garland of Flowers with the Holy Family |
Medium Oil on canvas
cjr |
| 87685 |
 |
Garland of Flowers with the Holy Family |
Oil on canvas
cyf |
| 65893 |
 |
Gemalde |
Gemalde „Der Erdteil Europa mit 16 Bildern. „Der Erdteil Europa ist Teil des Zyklusses „Die vier Erdteile, Alte Pinakothek, Raum 16, Inv.-Nr. 1910
|
| 66597 |
 |
Holy Family |
Oil on panel
64 x 50 cm
1660s |
| 67779 |
 |
Kessel |
Author Jan van Kessel
|
| 70918 |
 |
L entree de l arche |
Medium Oil on canvas
Dimensions 43 x 55.5 cm
|
| 71737 |
 |
Mockery of the Owl |
Dimensions 170 x 234 cm
|
| 70371 |
 |
Monkeys Feasting |
Medium Oil on canvas
Dimensions
|
| 96663 |
 |
Spiders and insects |
1660(1660)
Medium oil on copper
cyf |
| 27351 |
 |
Still life of various flowers and grapes encircling a reliqu ary containing the host,set within a stone niche |
mk56
oil on copper
|
| 27354 |
 |
Still life of various flwers in a basket,tulips in a copper pot hortensias,asparagi and artichokes laid out on the ground,together with an owl,butterf |
mk56
oil on copper
|
| 97689 |
 |
Still life with grapes and other fruit on a platter |
17th century
Medium oil on copper
Dimensions 16.5 x 22 cm
cyf |
| 76043 |
 |
Still life with Oysters |
Date 17th century
Medium Oil on canvas
Dimensions 42x77 cm
cyf
|
| 66596 |
 |
The Soap Bubbles |
Oil on canvas
67 x 51 cm
1660s |
|
|
| Jan Van Kessel
|
| 1626-1679
Dutch
Jan Van Kessel Gallery
Dutch painter and draughtsman. He was a follower, and probably a pupil, of Jacob van Ruisdael and covered the same range of subjects painted by Ruisdael, with the exception of marine paintings. However, van Kessel is best known for his townscapes and panoramic views, as exemplified by the Sluice and the New City Ramparts of Amsterdam in Winter (Amsterdam, Hist. Mus.) and the Bleaching Grounds near Haarlem (Brussels, Mus. A. Anc.). He imitated the water-mills and village scenes of his friend Meindert Hobbema, as well as the waterfalls of Allaert van Everdingen, the wooded landscapes of Jan Wijnants and the winter scenes of Jan van de Cappelle. Many of van Kessel's 120 surviving pictures, including The Avenue (Stuttgart, Staatsgal.) and the Ford in the Woods (Dresden, Gem?ldegal. Alte Meister), were once attributed to van Ruisdael and these other masters (often with an authentic signature covered by the better-known name). Van Kessel is also frequently confused with other minor artists in van Ruisdael's circle, especially Jan Vermeer van Haarlem the younger, Isaac Koene (1637/40-1713), Jacob Salomonsz. van Ruysdael (1629/30-1681) and Anthonie van Borssom. As a draughtsman, van Kessel emulated van Ruisdael's mature style, working almost exclusively in black chalk and grey wash. The best of his 70 drawings are townscapes, although his studies of trees and depictions of farmsteads are noteworthy. A number of correlations exist between his sketches and paintings. There is no known relationship with the Flemish artists of the same name.
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